The one thing that I’m noticing, not just this particular project, but I think there’s been a very clean aesthetic for a long time, in the ’90s and with Apple. Now, you look at wallpaper, there’s so much Fluer de Lys patterning, paisley—we’re seeing much more richness, seeing flocked wallpapers, seeing some great companies like Timorous Beasties and Flavor Paper.
Cool Hunting: Zune Originals: Interview with Chris Stephenson